Ranging in form from elegy to satire to metaphysics to blues, Christopher Doda's latest book, Aesthetics Lesson, is an exciting meditation on art and power. His poems investigate the Ounnamed cities of light' created by the artist, reflecting and dissecting how the creative impulse can lead to both solace and destruction. Centred around the title piece, a crown of self-generating glosas that examine the role of the artist in our mechanized and digitized society, Aesthetics Lesson offers a potent landscape not easily forgotten. Love and anger, rage and compassion burst and oscillate as Doda looks to the past and future to document Ohalf-lives trembling on the lip of time.' Doda's gift is to challenge notions of progress and change and to take an unflinching look at the curious and dangerous metamorphosis of the human spirit.